@petzelgallery

Frieze Viewing Room is open and free to the public! Take a look at our presentation featuring works by nearly twenty artists in the gallery program, on view until Friday, October 16. Image: Seth Price, "Notes on Film" (2006); Silkscreen ink on Vacuum-Formed High-Impact Polystyrene, steel frame; 48 x 96 inches.

Posted @withregram • @get_a_head at through October 31.

Jon Pylypchuk speaks to @hyperallergic for “Artists Quarantine With Their Art Collections.” Jon Pylypchuk (Los Angeles, California): We bought JP Munro’s “Triple Headed Serpent” almost 15 years ago, captured by the simplicity of the composition and elegance of the brushstrokes. JP, a gallery-mate at the time, built lush landscapes that were familiar and foreign, drawn from history and imagination. It’s possible that the commentary in the work spoke of the younger Bush’s manipulation of the truth to dump the US into an unwinnable war, opposing common decency for political gain. Three heads — impossible to decide which to trust. It sat on our mantle for years until it moved to its more permanent real estate on the wall next to my side of the bed. The Groundhog Days of the pandemic saw me sitting on the edge of my bed reluctantly sliding into my bootleg Jonas Wood pants, an indicator of another day not seeing friends, and pondering what I would plant or tend to that day. There was a peace to that. No rushing, not much consuming, days with hands in soil patiently watching things grow rather than dissolve. Every day was the same. I patiently waited for things to grow as I patiently waited for the moment the government (which was ignoring the scope of a pandemic that mostly consumed the old, the poor, and the nonwhite) realized there had to be a focused intervention. When something needs water, you water it, you don’t just hope for rain to come and quench the suffering. You make sure your plants have what they need to survive and thrive. Is there a blade sure enough to dispatch the beast? Is there a hand strong enough to slay it? Removing one head might halt its progress but the attempt is perilous enough to warrant caution and would leave the other two to continue. Cutting out the orange serpent’s heart would render it flaccid and impotent and alleviate the danger. The heads became branches of hate, ignorance, and ambivalence — dimensions of purely political motivation with an awful disregard for the tenets that my adopted country was built on. I can’t return to normal. I can’t watch the same life come back. The reptile must be stopped outright.

Seth Price: What is Capitalist Technomancy? (2020), originally recorded as a lecture delivered @themuseumofmodernart's 10th Anniversary Forum on Contemporary Photography, "What Does the World Look Like in 2020?” held on September 22, 2020.

Frieze viewing room is now open to the public through Friday, October 16! Featured in our , works by Walead Beshty, Ross Bleckner, Cosima von Bonin, Willem de Rooij, Derek Fordjour, Robert Heinecken, Charline von Heyl, Sean Landers, Rezi van Lankveld, Adam McEwen, Rodney McMillian, Sarah Morris, Joyce Pensato, Seth Price, Pieter Schoolwerth, John Stezaker, Hiroki Tsukuda, Nicola Tyson, and Heimo Zobernig. Image: Cosima von Bonin, “Wallstreet” (2020), Velvet, 64.57 x 76.38 inches.

Stefanie Heinze’s signature fantastic and impossible encounters, composed of playful, transformative, and (a)sexual motifs, are on full display in the artist's inaugural exhibition "Frail Juice" on view now at Petzel's parlor floor gallery in the UES. In these works, Heinze gives emphasis to the “small beings” — the subordinate, the banal — as memory mixes with utopian visions in surprising moments across canvas. She extracts the more indigestible themes of everyday life into fluid landscapes of absurd creations where giant eggplants and raspberry globules whiz around the composition, circling a puppy donning makeup, or a professor wearing many sets of glasses resting on multiple noses. “Frail Juice” 35 E 67th Street through Saturday, Nov. 7.

Frieze VIP day 2, featuring new portrait work by Hiroki Tsukuda! Image: Hiroki Tsukuda, “Vol. 79” (2020); Charcoal, acrylic ink, pencil on paper, wood panel with silkscreen printed acrylic frame; 69.3 x 49.6 inches. #佃弘樹 #画伯

Stefanie Heinze “Frail Juice” is now open at ! 🧿📿🌟✨ Appointments available via @seesawmap and walk-ins accepted! Come by and see the show through Saturday, November 7th. 🔥🔥

Presenting for the first time @friezeartfair, Petzel Gallery is pleased to show in the Viewing Room, new and never before seen works by artists long integral to the gallery’s program alongside works by artists who have recently joined the gallery’s roster. Featured in Petzel’s Frieze viewing room will be works by Walead Beshty, Ross Bleckner, Cosima von Bonin, Willem de Rooij, Derek Fordjour, Robert Heinecken, Charline von Heyl, Sean Landers, Rezi van Lankveld, Adam McEwen, Rodney McMillian, Sarah Morris, Joyce Pensato, Seth Price, Pieter Schoolwerth, John Stezaker, Hiroki Tsukuda, Nicola Tyson, and Heimo Zobernig. Image: Rezi van Lankveld, “Buste” (2020), oil on linen, 22 x 17.3inches.

“Frail Juice”, a solo exhibition of new paintings and their corresponding drawings by Berlin-based artist Stefanie Heinze opens tomorrow! On view from October 7 to November 7, on the parlor floor of Petzel’s Upper East Side gallery, the show marks Heinze’s debut exhibition at Petzel and second solo show in New York. Encompassing six paintings (all 2020), and four works on paper — two shown as double-sided drawings on pedestals — the works in the show explore the dissolution of historical norms and the paradoxes that arise when investigating power structures. Image: Stefanie Heinze, “A Hollow Place in a Solid Body” (2020); oil and acrylic on canvas, diptych; 86.75 x 110.25inches.

Posted @withregram • @christianjankowski_official Join us for the exhibition @petzelgallery and create your own Jankowski4.0 Dada Poem! For further information and instructions head over to petzel.com/viewing-room/downloadable. Don't forget to upload your video using the hashtag .0

Posted @withregram • @capitainpetzel ROSS BLECKNER ‘Love and Letting Go III’, 2020 Oil on linen 152.4 x 182.9 cm 60 x 72 inches Ross Bleckner’s first solo exhibition at the gallery, ‘Quid Pro Quo’, is on view until November 7th.