The total number of IG users following @username on last update.
The total number of IG users that @username was following on last update.
Indicated the number of follower @username has for every user he/she follows.
Indicates how this user uses his/her Instagram account.
The number of photos in @username’s feed. It might not be the same as the total amount of photos posted over time as Instagram offers the option to delete a photo at any time.
The date when @username last posted a photo to his/her feed.
How often does @username usually post a new photo/video.
The average amount of likes a photo by @username gets.
Two users might have an average of 100 likes on their photos. One got 100 likes on every single one of his photos, while the other got 20 in most of them and 2000 in a couple. The first user will have a high consistency while the second one will have a low consistency.
A good consistency is always a good sign.
The average percentage of IG users who follow @username who like his/her photos.
A good engagement rate is a sign of a healthy and responsive community.
The average amount of comments a photo by @username gets.
The average percentage of IG users who follow @username who comment on his/her photos.
Two users might have an average of 10 comments on their photos. One got 10 comments on every single one of his photos, while the other got 2 in most of them and 200 in a couple. The first user will have a high consistency while the second one will have a low consistency.
A low comment consistency can indicate that the average amount of comments might have been affected artificially due to a promotion.
The average percentage of comments a photo gets in relationship to the likes.
popularity
6,482
239
micro influencer
@noguerasblanchard is a micro influencer with 6,482 followers.
content
855
nan% vs. nan%
1,042 chars
8
Sep 17
few times per month
@noguerasblanchard is not very active and usually publishes a few times per month, with a poor use of captions but an amazing use of hastags hashtags
community engagement
133 / 2.05%
63%
2 / 0.00031%
3%
@noguerasblanchard's community is decently engaged and very consistent.
not good nor bad
very low
low
good
high
very high
History
30 days
90 days
all
date
followers
following
uploads
eng. rate
avg. likes
avg. comments
Sep 26
8
6,482
239
855
2.05%
133
2
Sep 24
4
6,474
239
855
2.04%
132
2
Sep 23
15
6,470
239
855
2.04%
132
2
Sep 20
10
6,455
239
855
2.01%
130
2
Sep 19
11
6,445
239
855
2.02%
130
2
Sep 18
4
6,434
239
855
2%
129
2
Sep 17
9
6,430
239
854
2.1%
135
2
Sep 16
2
6,421
239
854
2.07%
133
2
Sep 15
35
6,419
238
854
2.07%
133
2
Sep 12
0
6,384
238
853
1.99%
127
2
Sep 11
7
6,384
238
853
1.99%
127
2
Sep 10
2
6,377
238
853
1.98%
126
2
Sep 09
6
6,375
238
852
2.04%
130
2
Sep 08
6
6,369
238
852
2.03%
129
2
Sep 07
3
6,363
238
852
2.03%
129
2
Sep 06
2
6,360
238
852
2.03%
129
2
date
followers
following
uploads
eng. rate
avg. likes
avg. comments
Sep 05
7
6,358
238
852
2.01%
128
2
Sep 04
1
6,351
238
852
2.02%
128
2
Sep 03
0
6,352
238
852
2.02%
128
2
Sep 02
1
6,352
238
852
2.02%
128
2
Sep 01
2
6,351
238
852
2%
127
2
Aug 30
2
6,349
238
852
1.98%
126
2
Aug 29
6
6,351
238
852
1.98%
126
2
Aug 27
2
6,345
238
852
1.99%
126
2
Aug 26
1
6,347
238
852
1.99%
126
2
Aug 25
2
6,346
238
852
1.99%
126
2
Aug 24
0
6,348
238
852
1.97%
125
1
Aug 23
0
6,348
238
851
2.03%
129
1
Aug 22
1
6,348
238
851
2.03%
129
1
Aug 21
3
6,347
238
851
2.03%
129
1
followers vs
Feed
last 12
last 24
last 36
Jan 01 1970 GMT00:33
captions
A L I E N T O es el título de un ciclo de exposiciones comisariado por Anna Manubens para NoguerasBlanchard, con la primera presentación del trabajo de Beatrice Gibson en España.
_
NoguerasBlanchard is pleased to announce a series of exhibitions entitled A L I E N T O curated by Anna Manubens for the gallery, with the first presentation of Beatrice Gibson's work in Spain.
_
@beatricegibson @barcelona_gallery_weekend @artbarcelona_galleries
¡Visita las galerías durante ! Hoy puedes visitar 'One strike, everything is scattered' hasta las 20h. ¡Descubre las obras de Hans-Peter Feldmann, Marine Hugonnier, Perejaume, Valeska Soares y Antoni Tàpies!
_
Visit the galleries during !
Today you can visit 'One strike, everything is scattered' until 8pm. Come and discover the works by Hans-Peter Feldmann, Marine Hugonnier, Perejaume, Valeska Soares and Antoni Tàpies!
_
@arte_madrid
¡Sólo un día para arrancar !
Visita nuestra exposición 'One strike, everything is scattered', con Hans-Peter Feldmann, Marine Hugonnier, Perejaume, Valeska Soares y Antoni Tàpies.
_
Just one day for !
Come and visit 'One strike, everything is scattered', with works by Hans-Peter Feldmann, Marine Hugonnier, Perejaume, Valeska Soares and Antoni Tàpies.
_
@arte_madrid
_
Today a new chapter of RECOLLECTION: collectors Wendy Navarro and Carlos Vallejo on Juan López's ‘Catalonia is hot Spain’, 2009.
RECOLLECTION consists of a series of audio recordings sent to us by collectors and curators, that revisit our gallery exhibitions over the years.
_
Hoy en un nuevo capítulo de RECOLLECTION: los coleccionistas Wendy Navarro y Carlos Vallejo hablan sobre ‘Catalonia is hot Spain’, 2009 de Juan López.
RECOLLECTION consiste en una serie de grabaciones de audio que nos envían coleccionistas y curadores, que revisitan las exposiciones de la galería a lo largo de los años.
_
@rayoslopez @wendinas
_
Happy to present a new chapter of RECOLLECTION! This time with collector Estefanía Meana (@emeana) revisiting one of our latest exhibitions: ‘Tropic-Ana’, 2020 by Ana Mendieta.
_
¡Nuevo capítulo de RECOLLECTION! Esta vez con la coleccionista Estefanía Meana (@emeana) revisitando una de nuestras últimas exposiciones: ‘Tropic-Ana’, 2020 de Ana Mendieta.
_
Perejaume's gesture in 'One strike, everything is scattered' constitute the total rupture of the square, constructing and re-articulating references to landscape painting, with the same elements that define and limit its boundaries.
_
El gesto de Perejaume en 'One strike, everything is scattered' constituye la ruptura total del cuadrado, construyendo y re-articulando referencias a la obra pictórica de paisaje, precisamente con los propios elementos que la definen y delimitan.
_
Photography/Fotografía: Roberto Ruiz
_
'Retrat de l'avi' by Antoni Tàpies at 'One strike, everything is scattered', including the work of Hans-Peter Feldmann (1941, Düsseldorf), Marine Hugonnier (1969, Paris), Perejaume (1957, Sant Pol de Mar, Barcelona), Valeska Soares (1957, Belo Horizonte, Brazil) and Antoni Tàpies, (1923 - 2012, Barcelona). This exhibition presents different ways in which contemporary artists confront the medium of painting in its most traditional sense, reflecting upon the physical aspects and allegorical connotations while embracing the same tools and processes.
The play of appropriation and subversion appears in this Tàpies's work. The tenuous gesture transformed into an insolent one, covers the portrait of his grandfather, exhibited here for the first time, with an iconoclastic veil of his personal lexicon of symbols.
_
'Retrat de l'avi' de Antoni Tàpies en 'One strike, everything is scattered', en la que participan Hans-Peter Feldmann (1941, Düsseldorf), Marine Hugonnier (1969, París), Perejaume (1957, Sant Pol de Mar,Barcelona), Valeska Soares (1957, Belo Horizonte, Brasil) y Antoni Tàpies, (1923 - 2012, Barcelona). La propuesta gira en torno a la idea de pintura en su vertiente más tradicional y reflexiona sobre cómo artistas contemporáneos siguen enfrentándose a las corrientes clásicas haciendo uso de herramientas y procesos propios de éstas mismas.
En esta obra de Tàpies el juego de apropiación reaparece mediante un gesto procaz, interviniendo, no sobre una imagen vernacular, sino sobre retrato de su propio abuelo, agregando una veladura de su propia iconoclasia para dar lugar a una imagen inédita hasta la fecha.
_
Last days!
'One strike, everything is scattered' refers to a simple gesture having far-reaching effects. The exhibition takes its name from a page in the children's book 'About Two Squares: A Suprematist Tale of Two Squares in Six Constructions' (1920) published in the midst of Suprematism and Constructivism by El Lissitzky (1890-1941), in which two intergalactic squares take on the mission of rebuilding the world. About Two Squares was "constructed" using pure geometric forms and typographic elements as a means to disseminate the new order. The book –beyond a political allegory and metaphor of the dialogue between Suprematism's cosmic vision and the new Constructivist typography– was intended as a stimulus for active play by encouraging construction, composition and painting.
_
¡Últimos días!
'One strike, everything is scattered' hace referencia al gesto sencillo que supone efectos significativos. Así, la exposición toma nombre de una página del libro infantil 'Sobre dos cuadrados: Cuento suprematista sobre dos cuadrados en seis construcciones' (1920) publicado en plena efervescencia del suprematismo y el constructivismo por El Lissitzky (1890-1941), en la que los dos cuadrados cósmicos rompen con todo el orden establecido y lo reconstruyen a su antojo a partiendo de un simple golpe. El libro -más allá de la alegoría política y la metáfora del diálogo entre las concepciones cósmicas del suprematismo y las nuevas ideas constructivistas en el campo tipográfico- pretendía ser un estímulo para el juego activo animando a componer, pintar y construir.
_
Photography/Fotografía: Roberto Ruiz
_
L'Hospitalet de Llobregat and especially the square of Isaac Peral as Rafa Castells home and playground has been the base for his production and work. He observes and documents this environment daily, only equipped with his camera he interacts with everything that crosses his path and that catches his attention. This path and context is of an industrial landscape, of a working class city with its urban neighborhoods. It is in this field, where Castells looks for a beauty, a poetry. Like a wanderer who inhabits an attitude that can be understood as a slogan, a punchline, he chants a "mantra": 'AVUI SÓC RIC'.
A series of analog photographs captured within this environment, exploited to the limits of its image capacity and printed on industrial canvas, the ones that dominantly contribute to the aesthetics of this area. In a poetic dialogue, with texts, slogans and criticism; references to songs, messages taken from the neighborhood streets and walls, and from his own imaginary... he plays and tackles the heartfelt politics that surround him.
_
L'Hospitalet de Llobregat y especialmente la calle Isaac Peral como hogar y patio de recreo de Rafa Castells, es la base de su producción y trabajo. Observa y documenta este entorno diariamente, solo equipado con su cámara; e interactúa con todo aquello que se cruza por su camino y que llama su atención. Este camino y contexto es el de un paisaje industrial, el de una ciudad de clase trabajadora con sus vecindarios urbanos. Es en este, donde Castells busca una belleza, una poesía. Como un trotamundos que habita una actitud que se puede entender como un eslogan, un puñetazo, entona un "mantra": 'AVUI SÓC RIC'.
Una serie de fotografías analógicas capturadas dentro de este entorno, explotadas a los límites de su capacidad como imagen, e impresas sobre lonas industriales normalmente utilizadas para hacer anuncios comerciales. Unas lonas que cubren y predominan en la estética del paisaje urbano de esta zona. En un diálogo poético, con textos, lemas y críticas; referencias a canciones, mensajes extraídos de las pintadas del barrio, y de su propio imaginario... juega y aborda las políticas sentidas que lo rodean.
hashtags
Jan 01 1970 GMT00:33
captions
Con estas fotografías, Rafa Castells captura un momento de cambio y transición del barrio. Castells no se acerca exclusivamente desde un punto de vista antropológico, sino como espectador y actor en primera persona de la implementación del proyecto de distrito cultural y su impacto en la transformación de una ciudad vinculada tradicionalmente a la industria y en la clase trabajadora.
_
With these photographs, Rafa Castells captures a moment of change and transition in the neighborhood. Castells does not approach exclusively from an anthropological point of view, but as a first-person spectator and actor of the implementation of the cultural district project and its impact on the transformation of a city traditionally linked to industry and the working class.
_
AVUI SÓC RIC is a solo exhibition by the artist and photographer Rafa Castells (Barcelona, 1989) in collaboration with the collective Gracias por su visita at Nogueras Blanchard gallery (Isaac Peral 7, L'Hospitalet de Llobregat), within the framework of Art Nou 2020.
L'Hospitalet de Llobregat and especially the square of Isaac Peral as Rafa Castells home and playground has been the base for his production and work. He observes and documents this environment daily, only equipped with his camera he interacts with everything that crosses his path and that catches his attention.
_
AVUI SÓC RIC es una exposición individual del artista y fotógrafo Rafa Castells (Barcelona, 1989) en colaboración con el colectivo Gracias por su visita en la galería Nogueras Blanchard (Isaac Peral 7, L'Hospitalet de Llobregat), dentro del marco de Art Nou 2020.
L'Hospitalet de Llobregat y especialmente la calle Isaac Peral como hogar y patio de recreo de Rafa Castells, es la base de su producción y trabajo. Observa y documenta este entorno diariamente, solo equipado con su cámara; e interactúa con todo aquello que se cruza por su camino y que llama su atención.
_
'One strike, everything is scattered' presents different ways in which contemporary artists confront the medium of painting in its most traditional sense, reflecting upon the physical aspects and allegorical connotations while embracing the same tools and processes. Valeska Soares rescues forgotten images –always portraits of women– that were once part of someone’s affective universe, showing us only a detail of the original painting, selected and cut by the artist, like the ghost of the omitted image. Turning these images inside out, revealing their altered reverse: a monochromatic surface painted with a color selected from the original composition.
_
'One strike, everything is scattered' gira en torno a la idea de pintura en su vertiente más tradicional y reflexiona sobre cómo artistas contemporáneos siguen enfrentándose a las corrientes clásicas haciendo uso de herramientas y procesos propios de éstas mismas. En este caso, Valeska Soares rescata imágenes olvidadas –siempre retratos de mujeres– que en algún momento formaron parte del universo afectivo de alguien, mostrándonos sólo una pequeña sección, un fantasma de la imagen omitida, sobre el reverso de la propia imagen alterado por la artista, una superficie monocroma.
_
Photography/Fotografía: Roberto Ruiz
_
'Retrat de l'avi' by Antoni Tàpies at 'One strike, everything is scattered', including the work of Hans-Peter Feldmann (1941, Düsseldorf), Marine Hugonnier (1969, Paris), Perejaume (1957, Sant Pol de Mar, Barcelona), Valeska Soares (1957, Belo Horizonte, Brazil) and Antoni Tàpies, (1923 - 2012, Barcelona). This exhibition presents different ways in which contemporary artists confront the medium of painting in its most traditional sense, reflecting upon the physical aspects and allegorical connotations while embracing the same tools and processes.
The play of appropriation and subversion appears in this Tàpies's work. The tenuous gesture transformed into an insolent one, covers the portrait of his grandfather, exhibited here for the first time, with an iconoclastic veil of his personal lexicon of symbols.
_
'Retrat de l'avi' de Antoni Tàpies en 'One strike, everything is scattered', en la que participan Hans-Peter Feldmann (1941, Düsseldorf), Marine Hugonnier (1969, París), Perejaume (1957, Sant Pol de Mar,Barcelona), Valeska Soares (1957, Belo Horizonte, Brasil) y Antoni Tàpies, (1923 - 2012, Barcelona). La propuesta gira en torno a la idea de pintura en su vertiente más tradicional y reflexiona sobre cómo artistas contemporáneos siguen enfrentándose a las corrientes clásicas haciendo uso de herramientas y procesos propios de éstas mismas.
En esta obra de Tàpies el juego de apropiación reaparece mediante un gesto procaz, interviniendo, no sobre una imagen vernacular, sino sobre retrato de su propio abuelo, agregando una veladura de su propia iconoclasia para dar lugar a una imagen inédita hasta la fecha.
_
hashtags
#hanspeterfeldmann
#marinehugonnier
#perejaume
#valeskasoares
#antonitapies
#tapies
#noguerasblanchard
#onestrike
#ellissitzky
#jeanporsche
analysis
This post got
181% more likes
compared to @noguerasblanchard's average. It uses
25% more hashtags
and its
caption is 63% longer
157
1
Jul 18 2020 GMT12:01
captions
L'Hospitalet de Llobregat and especially the square of Isaac Peral as Rafa Castells home and playground has been the base for his production and work. He observes and documents this environment daily, only equipped with his camera he interacts with everything that crosses his path and that catches his attention. This path and context is of an industrial landscape, of a working class city with its urban neighborhoods. It is in this field, where Castells looks for a beauty, a poetry. Like a wanderer who inhabits an attitude that can be understood as a slogan, a punchline, he chants a "mantra": 'AVUI SÓC RIC'.
A series of analog photographs captured within this environment, exploited to the limits of its image capacity and printed on industrial canvas, the ones that dominantly contribute to the aesthetics of this area. In a poetic dialogue, with texts, slogans and criticism; references to songs, messages taken from the neighborhood streets and walls, and from his own imaginary... he plays and tackles the heartfelt politics that surround him.
_
L'Hospitalet de Llobregat y especialmente la calle Isaac Peral como hogar y patio de recreo de Rafa Castells, es la base de su producción y trabajo. Observa y documenta este entorno diariamente, solo equipado con su cámara; e interactúa con todo aquello que se cruza por su camino y que llama su atención. Este camino y contexto es el de un paisaje industrial, el de una ciudad de clase trabajadora con sus vecindarios urbanos. Es en este, donde Castells busca una belleza, una poesía. Como un trotamundos que habita una actitud que se puede entender como un eslogan, un puñetazo, entona un "mantra": 'AVUI SÓC RIC'.
Una serie de fotografías analógicas capturadas dentro de este entorno, explotadas a los límites de su capacidad como imagen, e impresas sobre lonas industriales normalmente utilizadas para hacer anuncios comerciales. Unas lonas que cubren y predominan en la estética del paisaje urbano de esta zona. En un diálogo poético, con textos, lemas y críticas; referencias a canciones, mensajes extraídos de las pintadas del barrio, y de su propio imaginario... juega y aborda las políticas sentidas que lo rodean.
hashtags
analysis
This post got
18% more likes
compared to @noguerasblanchard's average. It uses
100% less hashtags
and its
caption is 114% longer
142
0
Jul 15 2020 GMT12:01
captions
AVUI SÓC RIC is a solo exhibition by the artist and photographer Rafa Castells (Barcelona, 1989) in collaboration with the collective Gracias por su visita at Nogueras Blanchard gallery (Isaac Peral 7, L'Hospitalet de Llobregat), within the framework of Art Nou 2020.
L'Hospitalet de Llobregat and especially the square of Isaac Peral as Rafa Castells home and playground has been the base for his production and work. He observes and documents this environment daily, only equipped with his camera he interacts with everything that crosses his path and that catches his attention.
_
AVUI SÓC RIC es una exposición individual del artista y fotógrafo Rafa Castells (Barcelona, 1989) en colaboración con el colectivo Gracias por su visita en la galería Nogueras Blanchard (Isaac Peral 7, L'Hospitalet de Llobregat), dentro del marco de Art Nou 2020.
L'Hospitalet de Llobregat y especialmente la calle Isaac Peral como hogar y patio de recreo de Rafa Castells, es la base de su producción y trabajo. Observa y documenta este entorno diariamente, solo equipado con su cámara; e interactúa con todo aquello que se cruza por su camino y que llama su atención.
_
hashtags
#rafacastells
#noguerasblanchard
#artnou
#graciasporsuvisita
analysis
This post got
7% more likes
compared to @noguerasblanchard's average. It uses
50% less hashtags
and its
caption is 15% longer
comments
38
12
Aug 23 2020 GMT13:23
captions
_
Today a new chapter of RECOLLECTION: collectors Wendy Navarro and Carlos Vallejo on Juan López's ‘Catalonia is hot Spain’, 2009.
RECOLLECTION consists of a series of audio recordings sent to us by collectors and curators, that revisit our gallery exhibitions over the years.
_
Hoy en un nuevo capítulo de RECOLLECTION: los coleccionistas Wendy Navarro y Carlos Vallejo hablan sobre ‘Catalonia is hot Spain’, 2009 de Juan López.
RECOLLECTION consiste en una serie de grabaciones de audio que nos envían coleccionistas y curadores, que revisitan las exposiciones de la galería a lo largo de los años.
_
@rayoslopez @wendinas
hashtags
#juanlopez
#noguerasblanchard
#recollection
#carlosvallejo
#wendynavarro
#cataloniaishotspain
analysis
This post got
500% more likes
compared to @noguerasblanchard's average. It uses
25% less hashtags
and its
caption is 38% shorter
37
5
Jul 29 2020 GMT11:49
captions
_
Happy to present a new chapter of RECOLLECTION! This time with collector Estefanía Meana (@emeana) revisiting one of our latest exhibitions: ‘Tropic-Ana’, 2020 by Ana Mendieta.
_
¡Nuevo capítulo de RECOLLECTION! Esta vez con la coleccionista Estefanía Meana (@emeana) revisitando una de nuestras últimas exposiciones: ‘Tropic-Ana’, 2020 de Ana Mendieta.
_
hashtags
#anamendieta
#estefaniameana
#tropicana
#noguerasblanchard
#recollection
analysis
This post got
150% more likes
compared to @noguerasblanchard's average. It uses
38% less hashtags
and its
caption is 63% shorter
96
4
Sep 17 2020 GMT11:24
captions
A L I E N T O es el título de un ciclo de exposiciones comisariado por Anna Manubens para NoguerasBlanchard, con la primera presentación del trabajo de Beatrice Gibson en España.
_
NoguerasBlanchard is pleased to announce a series of exhibitions entitled A L I E N T O curated by Anna Manubens for the gallery, with the first presentation of Beatrice Gibson's work in Spain.
_
@beatricegibson @barcelona_gallery_weekend @artbarcelona_galleries