@luhringaugustine

, Untitled, 1984, Watercolor, graphite, and wax on paper. • Currently on view at the artist's first US solo exhibition at Luhring Augustine Tribeca. •

A solo exhibition of photographs by Lee Friedlander is currently on view at the Fundación MAPFRE (@mapfrefcultura) in Madrid. The exhibition offers a complete chronological journey through Friedlander’s extensive oeuvre, highlighting some of his most important projects such as "American Monument" and "The Little Screens."⁠ •⁠ ⁠ •⁠ Pictured: "New York City," 1974, Gelatin silver print. © Lee Friedlander; Courtesy Fraenkel Gallery, San Francisco, and Luhring Augustine, New York.

• Estrellita Brodsky—art historian, collector, and co-founder of @AnotherSpace_Org—shares insight Lucia Nogueira's poetic and remarkable work. Included in our exhibition, the first US solo presentation of the late artist, is an untitled sculpture from Brodsky's renowned collection. • Lucia Nogueira is on view at our Tribeca location through October 31. Visit the link in the bio to learn more. •

Paintings by Philip Taaffe are now on view for "The Pleasure Pavilion" series at Luhring Augustine Bushwick. The exhibition will be on view for only three weeks, through October 24. • Appointments are encouraged but not required, schedule your visit through the link in the bio. •

We are pleased to announce representation of Allison Katz. The London-based artist's first institutional solo show in the UK will open at Nottingham Contemporary (@Nottm_Contemp) in early 2021. • Allison Katz’s work engages with the complex and at times contradictory nature of contemporary artistic production, embracing the ambiguity of communication with a playful and inquiring touch that expands the conventional notion of an artist’s “signature style.” Katz’s work operates in a poetic space between mirror and mask, between revealing and concealing what is presented, calling attention to the multiple layers of consciousness that reside in a painting’s surface and subject. Visit the link in the bio to learn more. • @Allison.Katz • 1. "Cock on Eggshells," 2019, Acrylic, emulsion, and rice on canvas 2. "Double Hunger," 2015, Oil on canvas 3. "Elf-Esteem," 2017, Oil and acrylic on linen

Ragnar Kjartansson's video installation "The Visitors" is currently on view @ICABoston. ⁠ •⁠ The first newly installed exhibition at the museum following months of closure during the global COVID-19 pandemic, Kjartansson’s “The Visitors” is a beloved artwork in the ICA’s permanent collection, one that continually inspires and moves the museum’s community.⁠ •⁠ ⁠ •⁠ Pictured: Ragnar Kjartansson, "The Visitors," 2012, Nine-channel video (color, sound; 64:00 minutes). Gift of Graham and Ann Gund to Institute of Contemporary Art, Boston, Solomon R. Guggenheim Museum, New York, and Gund Gallery at Kenyon College. Photo by Elísabet Davids. Courtesy the artist, Luhring Augustine, New York, and i8 Gallery, Reykjavík.

The first major exhibition dedicated to Michael Clark, the influential dancer-choreographer, opens @BarbicanCentre next Wednesday, October 7. The exhibition features a new iteration of Charles Atlas' "Hail the New Puritan" (1986) as an immersive film installation.⁠ •⁠ Atlas shares anecdotes about "the enfant terrible of British dance" in the recent @NYTimes article about the exhibition. Link in the bio.⁠ •⁠ ⁠ •⁠ Pictured: Michael Clark in Charles Atlas' "Hail the New Puritan" (1986).

, "Phoenix, Arizona," 1998, Gelatin silver print.⁠ •⁠ Currently on view in the artist's solo exhibition at Luhring Augustine Chelsea through October 24.⁠ •⁠

Today is the last day to catch Pipilotti Rist's installation for "The Pleasure Pavilion" series at Luhring Augustine Bushwick. A presentation of works by Philip Taaffe presented in dialogue with the 19th century pleasure pavilion opens next Thursday, October 8. • • 1. Pipilotti Rist, "Streichelnder Nachtmahl Kreis 25 Knickerbocker Ave (Caressing Dinner Circle 25 Knickerbocker Ave)," 2020, Video Installation for a round table, silent. 2. Installation view of "The Pleasure Pavilion: A series of installations," Luhring Augustine Bushwick.

We are pleased to announce that Salman Toor's much-anticipated, first museum solo exhibition opens @WhitneyMuseum on November 13. The show, titled "How Will I Know," will present new and recent oil paintings. • Known for his small-scale figurative works that combine academic technique and a quick, sketch-like style, Toor offers intimate views into the imagined lives of young, queer Brown men residing between New York City and South Asia. Recurring color palettes and references to art history heighten the emotional impact of Toor’s paintings and add a fantastical element to his narratives drawn from lived experience. • • Pictured: Salman Toor, "Four Friends," 2019. Oil on plywood, 40 × 40 in. (101.6 × 101.6 cm). Collection of Christie Zhou. © Salman Toor. Image courtesy the artist and Luhring Augustine, New York.

An exhibition of works by Jeremy Moon is currently on view at A-M-G-5 in Glasgow through October 31.⁠ •⁠ Organized in conjunction with Ivory Tars, this exhibition will present "15/73," the last painting Moon would complete, alongside a series of working drawings, related studies and other ephemera. On loan from an archive held by the artist’s estate this material provides an insight into Moon’s working methods, as well as pointing to a series of paintings that would sadly remain unrealized. Visit the link in the bio for more information.⁠ •⁠ •⁠ ⁠ •⁠ Pictured: "15/73," 1973, Acrylic on canvas.

Sanya Kantarovksy is featured in the second annual @GarageMCA Triennial, "A Beautiful Night for All the People," on view through January 17, 2021. The artist's contribution, titled "Two Suns" (2020), comprises 5 monotypes made by Kantarovsky presented alongside 5 photographs taken by the artist's grandmother between 1957 and 1991. • Sanya Kantarovsky, whose family emigrated from Moscow in the early 1990s, has exhibited in Russia on only one previous occasion, in 2012. The 2nd Garage Triennial coincided with the artist's desire to reexamine the origins of his representational vocabulary. His grandmother, Olga Zinovievna Kantarovskaya, passed away a year ago, leaving a large volume of photographs of roughly 10,000 images. Having selected five, Kantarovsky then created monotypes to accompany the photographs. The subjects of the monotypes seem to be independent, but on closer inspection they paraphrase his grandmother's pictures. • • Pictured: Details from "Two Suns," 2020, 5 monotypes and 5 sliver gelatin prints; monotypes: 16 1/8 x 23 1/4 inches; silver gelatin prints: 14 7/8 x 22 1/2 inches.