Gagosian is a global gallery specializing in modern and contemporary art with eighteen locations worldwide.
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Analysis
The total number of IG users following @username on last update.
The total number of IG users that @username was following on last update.
Indicated the number of follower @username has for every user he/she follows.
Indicates how this user uses his/her Instagram account.
The number of photos in @username’s feed. It might not be the same as the total amount of photos posted over time as Instagram offers the option to delete a photo at any time.
The date when @username last posted a photo to his/her feed.
How often does @username usually post a new photo/video.
The average amount of likes a photo by @username gets.
Two users might have an average of 100 likes on their photos. One got 100 likes on every single one of his photos, while the other got 20 in most of them and 2000 in a couple. The first user will have a high consistency while the second one will have a low consistency.
A good consistency is always a good sign.
The average percentage of IG users who follow @username who like his/her photos.
A good engagement rate is a sign of a healthy and responsive community.
The average amount of comments a photo by @username gets.
The average percentage of IG users who follow @username who comment on his/her photos.
Two users might have an average of 10 comments on their photos. One got 10 comments on every single one of his photos, while the other got 2 in most of them and 200 in a couple. The first user will have a high consistency while the second one will have a low consistency.
A low comment consistency can indicate that the average amount of comments might have been affected artificially due to a promotion.
The average percentage of comments a photo gets in relationship to the likes.
popularity
1,355,504
2,062
mega influencer
@gagosian is a mega influencer with 1,355,504 followers.
content
5,398
nan% vs. nan%
1,033 chars
3
Oct 12
+ daily
@gagosian is incredibly active, publishing several times a day, with a poor use of captions but great use of hashtags
community engagement
4,056 / 0.3%
40%
34 / 0.00003%
31%
@gagosian's community is poorly engaged and very inconsistent. Watch out for an abuse of promotions or spammy hashtags
: “Brice Marden” is available for online reading through November 9 as part of the From the Library series. This catalogue was published on the occasion of the artist’s 2017 exhibition at Gagosian, Grosvenor Hill, London, and focuses on Marden’s terre verte paintings. For the series of ten identically sized paintings measuring eight by six feet, he has employed ten different brands of terre verte oil paint—from his favored Williamsburg to Holbein and Sennelier, among others—each a variation on the indefinable hue. The slow-drying paint is thinned and applied gradually to the canvas in many successive veils, building a surface of transparent yet intense color.
New texts by Paul Hills and Noah Dillon, and a conversation between Marden, Gary Hume, and Tim Marlow examine this new body of work from multiple perspectives.
For our series , we're making Gagosian titles available online. Keep an eye out for upcoming posts.
__________
“Brice Marden” (London: Gagosian, 2017); Portrait: @mirabellezahara
: "I often refer to movies in my head, and they are probably how I learned to understand the world. As a child in cloistered Geneva, I did not have a TV and we rarely went to the movies . . . If you grow up without that kind of window on the world outside, when it comes in, it’s revelatory."
—Louise Bonnet
In our Shortlist series, we invite artists and writers to tell us about works of art, literature, film, or music that have influenced their work or are at the forefront of their minds today. For this installment, Los Angeles painter Louise Bonnet reminisces about the films that influenced her development as an artist. Follow the link in our bio to read the article on "Gagosian Quarterly."
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@louisebonnetstudio
(1) Still from "Vertigo" (1958), directed by Alfred Hitchcock. Photo: Paramount Pictures/Ronald Grant Archive/Alamy Stock Photo; (2) Still from "Vagabond" (1985), directed by Agnès Varda. Photo: Moviestore Collection Ltd/Alamy Stock Photo; (3) Spike Jonze and John Malkovich on the set of "Being John Malkovich," 1999. Photo: AF archive/Alamy Stock Photo; (4) Still from "Under the Skin" (2013), directed by Jonathan Glazer. Photo: AA Film Archive/Alamy Stock Photo; (5) Still from "La haine" (1995), directed by Mathieu Kassovitz. Photo: Album/Alamy Stock Photo
: "I try to find ways to articulate visually that which is often unseen."
—Nathaniel Mary Quinn
Gagosian is presenting new works by Nathaniel Mary Quinn for the online edition of Frieze London. A suite of drawings by Quinn are now featured on the Gagosian website and in the Frieze Viewing Room. In addition, a selection of paintings and a large-scale work on paper are on view at Gagosian, Davies Street, London. With its wide plate glass window, this storefront exhibition space will act as the artist’s “solo booth” for Frieze London.
In a piece for "Gagosian Quarterly," Anderson Cooper speaks with the artist at his Brooklyn studio about his childhood and the visionary nature of his art. Follow the link in our bio to read the article or to view the works.
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@nathanielmaryquinn
Nathaniel Mary Quinn. Photo: @edeani
: "I often refer to movies in my head, and they are probably how I learned to understand the world. As a child in cloistered Geneva, I did not have a TV and we rarely went to the movies . . . If you grow up without that kind of window on the world outside, when it comes in, it’s revelatory."
—Louise Bonnet
In our Shortlist series, we invite artists and writers to tell us about works of art, literature, film, or music that have influenced their work or are at the forefront of their minds today. For this installment, Los Angeles painter Louise Bonnet reminisces about the films that influenced her development as an artist. Follow the link in our bio to read the article on "Gagosian Quarterly."
__________
@louisebonnetstudio
(1) Still from "Vertigo" (1958), directed by Alfred Hitchcock. Photo: Paramount Pictures/Ronald Grant Archive/Alamy Stock Photo; (2) Still from "Vagabond" (1985), directed by Agnès Varda. Photo: Moviestore Collection Ltd/Alamy Stock Photo; (3) Spike Jonze and John Malkovich on the set of "Being John Malkovich," 1999. Photo: AF archive/Alamy Stock Photo; (4) Still from "Under the Skin" (2013), directed by Jonathan Glazer. Photo: AA Film Archive/Alamy Stock Photo; (5) Still from "La haine" (1995), directed by Mathieu Kassovitz. Photo: Album/Alamy Stock Photo
: “Brice Marden” is available for online reading through November 9 as part of the From the Library series. This catalogue was published on the occasion of the artist’s 2017 exhibition at Gagosian, Grosvenor Hill, London, and focuses on Marden’s terre verte paintings. For the series of ten identically sized paintings measuring eight by six feet, he has employed ten different brands of terre verte oil paint—from his favored Williamsburg to Holbein and Sennelier, among others—each a variation on the indefinable hue. The slow-drying paint is thinned and applied gradually to the canvas in many successive veils, building a surface of transparent yet intense color.
New texts by Paul Hills and Noah Dillon, and a conversation between Marden, Gary Hume, and Tim Marlow examine this new body of work from multiple perspectives.
For our series , we're making Gagosian titles available online. Keep an eye out for upcoming posts.
__________
“Brice Marden” (London: Gagosian, 2017); Portrait: @mirabellezahara