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De izquierda a derecha “Verde de bosques antiguos”, “Sombras y trazos de sombras” y “Bosque de Van der Weyden” de @juliovaquero_art en la exposición “Memorias del mundo físico” que se puede visitar en la galería Marlborough de Madrid hasta el 11 de octubre.
📸@artlandapp
Jan 01 1970 GMT00:33
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: Vulnerability is a major theme for the dutch artist Yvonne Michiels, and is a recurring motif in all her work. In her latest work, she examines this theme from the viewpoint of the threats she increasingly sees people around her struggling with. In her Fading Flowers serie, she denounces the objectification of the women’s body in our societies and celebrates their beauty, plurality and at the same time uniqueness.
Fading Flowers Gold
Yvonne Michiels
Photo composition
mounted on Diasec
110 x 110 cm
Edition of 9
Jan 01 1970 GMT00:33
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Visita la exposición “Le Temps” de @carla_cascales_alimbau en la mezanina y déjate llevar por el suave oleaje de sus pinturas 🌊
Visita l'exposició "Le Temps" de Carla Cascales Alimbau a la mezanina i deixat portar pel suau onatge de les seves pintures 🌊
Visit the exhibition "Le Temps" by Carla Cascales Alimbau at the mezzanine, and let yourself go by the gentle waves of her paintings 🌊
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En un any d'autoreflexió i autodescobriment, @carla_cascales_alimbau torna a les seves arrels, i a la iconografia familiar. Com a homenatge a aquestes arrels, la majoria de les obres es titulen segons alguns fragments de "Bodas de sangre" de Garcia Lorca.
En un año de autorreflexión y autodescubrimiento, Carla Cascales Alimbau vuelve a sus raíces y a su iconografía familiar. Como homenaje a estas raíces, la mayoría de las obras se titulan según fragmentos de Bodas de Sangre, de García Lorca.
In a year of self-reflection and self-discovery, Carla Cascales Alimbau returns to her roots and her family iconography. As a tribute to these roots, most of the works are titled after fragments of Bodas de Sangre, by García Lorca.
📸Carla Cascales Alimbau, “Aire lloviendo azahar”, 2020, organic resin on linen, 162 x 97cm
📸Carla Cascales Alimbau, “Jazmines en la frente”, 2020, organic resin on linen, 162 x 97cm
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“Scents of Identity (1993), by Margaret Harrisson, takes as reference Edouard Manet's work Un bar aux Folies Bergère (1881-82), where a waitress and prostitute remain solicitous behind a bar while looking sad and lost. In this series, Harrison portrays different female figures as department store sales clerks to point out how the capitalist machinery frequently places women in the position of mediators between products and customers, and how the "obliging femininity" expected of her, also turns her into an object of desire. The careful presentation of the paintings in the exhibition space, arranged on a colored background and illuminated with elegant lamps, also invites us to think about the gaze as a form of consumption, and the artistic work as merchandise.” Alexandra Laudo @heroinas_de_la_cultura
Image from She, the, eye, the finger, the hand, our current group show featuring Margaret Harrison, Núria Güell and @achakutscher.
About the piece: Margaret Harrison, Scents of Identity. Fenwicks store, London (1), 1993 watercolor on paper.
24 x 18 cm
Unique piece
Photography: @celiliadiazbetz and @robertoruizphotography
You can learn more about some of the pieces in the show at our online store through the link in our bio.
Jan 01 1970 GMT00:33
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@carla_cascales_alimbau recrea una sensació de temps detingut, on l'absència de color fa que totes les peces es funden entre si. És en aquestes instàncies, cobra importància el que sol passar desapercebut, com textures, ombres, esquerdes i moviments subtils.
Carla Cascales recrea una sensación de tiempo detenido, donde la ausencia de color hace que todas las piezas se fundan entre sí. Es en estas instancias, cobra importancia lo que suele pasar desapercibido, como texturas, sombras, grietas y movimientos sutiles.
The artist recreates a feeling of stopped time, where the absence of color makes all the pieces merge with each other. It is in these instances where what usually goes unnoticed, such as textures, shadows, cracks and subtle movements, takes importance.
📸Carla Cascales Alimbau, “Jazmines en la frente”, 2020, organic resin on linen, 162 x 97cm
Jan 01 1970 GMT00:33
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El pròxim dimarts 29 de setembre a les 19h, l’ @anna__dot presenta a Bombon la performance “International Standard White Noise” dins del programa ARTefACTe🧨
L’objectiu de la performance és permetre que la seva autora pugui desaparèixer. Per això, es proposa al públic participar en la generació d’un soroll blanc a partir de la pronuncia simultània de tots els fonemes que composen l’alfabet fonètic internacional. D’aquesta manera es produirà un soroll blanc internacional.
*Aforament limitat! Cal reservar a info@bombonprojects.com
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El próximo martes 29 de septiembre a las 19h, @anna__dot presenta en Bombon la performance “International Standard White Noise” dentro del programa ARTefACTe 🧨
El objetivo de la performance es permitir a su autora desaparecer. Para eso, se propone al público participar en la generación de un ruido blanco a partir de la pronuncia simultánea de todos los fonemas que componen el alfabeto fonético internacional. De esta forma, se producirá un ruido blanco internacional.
*Aforo limitado! Hace falta reservar plaza en info@bombonprojects.com
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Next tuesday 29th of September at 7pm, @anna__dot will present her performance “International Standard White Noise” within the program ARTefACTe🧨
This performance attempts to allow the disappearance of its autor. In order to do this, the audience receives a proposal for the generation of a white noise by pronunciating simultaneously all the phonemes of the international phonetic alphabet. By doing this, an international white noise is going to be produced.
* RSVP at info@bombonprojects.com
@abrilascaso 
Jan 01 1970 GMT00:33
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COSSIOLS. El temps retratat
Come around and discover the essence of
Espai 1 📍Sala Parés
Jan 01 1970 GMT00:33
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Viernes de libros! Durante esta pandemia seguimos con las recomendaciones de nuestra biblioteca. Esta semana de la editorial Phaidon “The Furniture of Carlo Mollino” Una probadita de un verdadero genio.
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Seguro con nuestros amigos de @lasritaetc lo pueden conseguir
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̃omexicano design ̃o
Jan 01 1970 GMT00:33
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📌 You have already gone to see Alejandro Monge's exhibition "Welcome to Badlands"? If you want to come visit us, we are open at our usual hours:
🕛Monday from 4pm to 8pm
🕛Tuesday to Saturday from 11 a.m. to 8 p.m.
We hope to see you soon‼️
📌Ya habéis pasado a ver la exposición de Alejandro Monge “Welcome to Badlands” ¿ Si queréis venir a visitarnos, estamos abiertos en nuestro horario habitual:
🕛Lunes de 16 a 20h
🕛Martes a sábado de 11 a 20h
¡Esperamos veros pronto‼️
📌Ja heu passat a veure l'exposició de l'Alejandro Monge "Welcome to Badlands"? Si voleu vindre a visitar-nos, estem oberts en el nostre horari habitual:
🕛Dilluns de 16 a 20h
🕛Dimarts a dissabte de 11 a 20h
Esperem veure-us aviat‼️
.art @monge_art 
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📸 1-2 . Installation shots " Comparison Via a Third" (2007).
Two-channel , 24 min.
"Comparison via a third" makes a reflection on the concept of . Harun Farocki shows working procedures in traditional, newly industrialized, and highly . It is the suggestive atmosphere of what is presented that causes an impact on us.
📸 3-4 @danillaortiz, Video stills. "Réplica" (2014).
Video, colour, sound. 4 min.
In "Réplica", the artist kneels before the Spaniards gathered at Plaza Cataluña to celebrate the Fiesta Nacional de España (the National Day of Spain) on the 12th of October 2014. She reproduces the position of an indigenous person kneeled before Bernardo Boyl, as depicted in the monument dedicated to Christopher Columbus in Barcelona with the objective of making the Spaniards reflect on their history of and the symbolism found in the that surround us.
☝🏾Both works are part of "Images Liées" the exhibition at @chateaudeservieres as part of Les Parallèles du Sud >Trait(s) d’union @manifestabiennial . This project has been created in partnership with , Collection Josée and Marc Gensollen and @loopbarcelona.
👉🏿This 📹program is curated by and ́eGensollen and opens on the 9th of October.
Jan 01 1970 GMT00:33
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: Vulnerability is a major theme for the dutch artist Yvonne Michiels, and is a recurring motif in all her work. In her latest work, she examines this theme from the viewpoint of the threats she increasingly sees people around her struggling with. In her Fading Flowers serie, she denounces the objectification of the women’s body in our societies and celebrates their beauty, plurality and at the same time uniqueness.
Fading Flowers Lime
Yvonne Michiels
Photo composition
mounted on Diasec
110 x 145 cm
Edition of 9
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Surface Series 2011. Resin, fabric, printed products. 100x80x13,5cm. In display at N2 Galería. Barcelona.
Liu Guangyun was born in Jinan, Shandong Province (China) and studied Fine Arts in Beijing. Living and working between Shanghai and Mainz for about two decades now, Liu Guangyun is a transducer between continents and cultures and between different artistic media, techniques and forms of expression. Drawing, painting and objects can be found in his work as well as performance, installation art and video art. As a Chinese living in Germany Liu Guangyun alternates between modernism and tradition, between occidental and oriental values. His works are constantly revolving around questions of identity.
Liu Guangyun builds a conceptual beauty by manipulating images of female models. He uses photos of faces, which obey the aesthetic norms of the advertisement world. These faces are formed far from all real identity by means of plastic surgery. The beauty, which in former times was appreciated as an intellectual ideal and deplored by reason of its fugacity, has sunk due to an absolute flattening of the perceptive faculty, to the level of advertisement slogans. Assuming a common generally accepted norm of taste, the photos and faces of assumed private identities appear as objects of delight, longing and seduction, but they are reduced to an aesthetic bogus appearance with their blatant function as vehicles for business strategies exposed.
Jan 01 1970 GMT00:33
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: Vulnerability is a major theme for the dutch artist Yvonne Michiels, and is a recurring motif in all her work. In her latest work, she examines this theme from the viewpoint of the threats she increasingly sees people around her struggling with. In her Fading Flowers serie, she denounces the objectification of the women’s body in our societies and celebrates their beauty, plurality and at the same time uniqueness.
Fading Flowers Ivory
Yvonne Michiels
Photo composition
mounted on Diasec
120 x 120 cm
Edition of 15
Jan 01 1970 GMT00:33
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We are thrilled to announce our upcoming solo exhibition. From the 1st of Octobre and continuing during the rest of the month, we will hold a unique exhibition showcasing the works made during the past few years by Antonio Gonzalez.
2017 — 2028 is an exhibition by the artist that brings together large format works, unique small sculptures, among other signature artworks by the Spanish artis.
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Jan 01 1970 GMT00:33
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We are thrilled to announce our upcoming solo exhibition. From the 1st of Octobre and continuing during the rest of the month, we will hold a unique exhibition showcasing the works made during the past few years by Antonio Gonzalez.
2017 — 2028 is an exhibition by the artist that brings together large format works, unique small sculptures, among other signature artworks by the Spanish artis.
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Jan 01 1970 GMT00:33
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We are thrilled to announce our upcoming solo exhibition. From the 1st of Octobre and continuing during the rest of the month, we will hold a unique exhibition showcasing the works made during the past few years by Antonio Gonzalez.
2017 — 2028 is an exhibition by the artist that brings together large format works, unique small sculptures, among other signature artworks by the Spanish artis.
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Jan 01 1970 GMT00:33
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: Light, sensibility and gold leaf...
Sometimes you just need to see how a painting looks in context.
Artist Chelsea Davine playing around with simple forms and details to bring serenity and poetry to your interior.
Chelsea Davine
Impar II
2019
Oil and gold leaf on Italian linen
160 x 160 x 4 cm
Jan 01 1970 GMT00:33
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We are happy to present this project of an edition series of fine art ceramics featuring works by five of Mexico’s most important modern and contemporary architects.
Alberto Kalach
Alberto Kalach was born in Mexico City in 1960, studied architecture at the Universi- dad Iberoamericana and completed graduate studies later at Cornell University. In 1981 he founded the firm “Taller de Arquitectura X” with Daniel Álvarez, with whom he worked until 2002. In 2002 his interests also turned to the urban planning issues of his home town, and he founded the community “México: fu- ture city.” His work in ceramic for this series is also a city, comprised of five “towers” in seven pieces that can be arranged by the viewer into endless combinations.
About this piece:
“Variaciones” 2019 (hand cast ceramic with black matte glaze, seven pieces) 50cm tall x variable width and depth / Edition of 25 pieces
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@kalach_tax
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̃omexicano ̃o
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Este impactante busto de mujer, “Fátima” de Antonio López, es una de las obras que forma parte de la retrospectiva que se inaugura hoy en la @fundacionbancaja sobre el artista de Tomelloso. La muestra presenta un recorrido completo por la pintura, los dibujos y la escultura de Antonio López, desde los años 1950 hasta la actualidad. La galería de Barcelona permanece cerrada el día de hoy por la festividad de la Mercè, patrona de la Ciudad Condal. 
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Minimal Vital.
The latest interview of Julia Alzueta in Milk Magazine.
Discover Julia’s apartment and her uptake in the contemporary art world in the latest edition of @milk_magazine
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Jan 01 1970 GMT00:33
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Minimal Vital.
The latest interview of Julia Alzueta in Milk Magazine.
Discover Julia’s apartment and her uptake in the contemporary art world in the latest edition of @milk_magazine
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Jan 01 1970 GMT00:33
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Minimal Vital.
The latest interview of Julia Alzueta in Milk Magazine.
Discover Julia’s apartment and her uptake in the contemporary art world in the latest edition of @milk_magazine
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Emili Bosch Roger (1894-1980) va pintar la seva obra “Port de Barcelona” c. 1929.
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🤔Sabríeu dir a quina església correspon la cúpula que veiem al fons?
Obra disponible a la Sala Parés
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: “The painting was inspired by a throw away comment which has led to a pared back, balanced artwork I love.”
Impar means different to what is usual or expected. Chelsea Davine’s inspiration is in the small, often unnoticed details which make up everyday life: chimney smoke, burnished gold, patterns under peeling paint, broken stairs leading nowhere, the ravages of time etched onto metal, a pathway through an arid landscape...
Chelsea Davine
Impar II
2019
Oil and gold leaf on Italian linen
160 x 160 x 4 cm
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: The art critic Alex Bahna said that Chelsea wanted to bring out the whole harmonious, elemental process in her work, or as she puts it: “Make something beautiful and delicate out of something as uncompromising as steel, stone, copper or lead.” However it is not the purity and permanence of the metal that interests Chelsea, but how it ages.
Chelsea Davine
Absence
2018
Oil and gold leaf on canvas
130 x 130 cm
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Carme Balada is a Catalan , whose work shows Japanese and African influences, subtly suited to . The pieces we are exhibiting are an evocation of , both in the form and in the use of textures. They are made with refractory , using the potter’s wheel technique and playing with various textures.
@carmebalada 
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We are happy to share this project of an edition series of fine art ceramics featuring works by five of Mexico’s most important modern and contemporary architects.
The first is by Gabriela Carrillo and Mauricio Rocha.
TALLER DE ARQUITECTURA was established in 1991 in Mexico City by Mauricio Rocha; in 2012 he joined with Gabriela Carrillo and established TALLER Mauricio Rocha + Gabriela Carrillo. Together they work to develop contemporary architecture sensitive to context and environment, combining local materials with state-of-the-art technology.
The ceramic relief panel they created for this project reflects this focus on material and monastic repetetive decoration
“Careyes” 2019 (hand cast pigmented slip) / 40cm tall x 35cm wide x 2cm thick Edition of 25 pieces
@gabcarrillo @maurocha @taller_rocha_carrillo
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̃omexicano design ̃o
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¿Ya has visitado la exposición AD AETERNUM?
Ven a la Sala Parés y descubre la esencia de @gorkagarciaherrera_art
Espai 2 📍Sala Parés
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“Cuenca, aprox 1973” de Cristóbal Hara. “Las fotografías que aportan algo especial tienen un lenguaje propio que no se puede expresar de otra manera, ni con palabras”. Cristóbal Hara (Madrid, 1946) supone una ruptura con lo hecho anteriormente en la fotografía española en cuanto a lenguaje. Hara señala que está más interesado por el lenguaje fotográfico que por el contenido mismo de la imagen. El artista siempre está a la búsqueda de elementos que lo sorprendan para de este modo poder sorprender al espectador a través de sus imágenes.
̃ola 
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New works by Bruno Ollé are now on view at our gallery. Visit us from Monday to Friday and discover them!
Untitled, 2020
Mixed Media
155 x 118 cm
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Bruno Ollé working at his studio.
New works by The artist are now on view at our gallery. Visit us from Monday to Friday and discover them!
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Jan 01 1970 GMT00:33
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New works by Bruno Ollé are now on view at our gallery. Visit us from Monday to Friday and discover them!
Untitled, 2020
Mixed Media
207 x 157 cm
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She, the eye, the finger, the hand establishes a dialogue among a selection of works by three artists of different nationalities and generations: Margaret Harrison (1940, Wakefield, United Kingdom), María María Acha-Kutscher (1968, Lima, Perú) and Núria Güell (1981, Vidreres, Spain). In spite of their generational and contextual differences, and of the specificity and singularity of their works, it is easy to identify similar approaches, themes and discursive lines in the artistic practices of these three creators.
About the image: Pieces by Margaret Harrison.
*On the left:
1.We will create new methods to stop your aggression, 2018.
2.Anger and fear, 2020.
*On the right: Ellen´s dress, 1998.
You can find more information on some of the pieces by visiting our online store through the link in our bio.
Photography: @ceciliadiazbetz
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La materialitat, el paisatge social, la superposició dels cossos en resistència, els llenguatges visuals i la paraula construeixen una cartografia de ressonàncies, signes i pulsions de la memòria d’un país.
📍 Primera Línea. Fernando Prats.
Si no ens heu pogut visitar durant el @barcelona_gallery_weekend recordeu que estem oberts de dimarts a divendres de 11 a 14 i de 16 a 20 i els dissabtes de 11 a 14.
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La materialidad, el paisaje social, la superposición de los cuerpos en resistencia, los lenguajes visuales y la palabra construyen una cartografía de resonancias, signos y pulsiones de la memoria de un país.
📍Primera Línea. Fernando Prats.
Si no nos habéis podido visitar durante el recordad que estamos abiertos de martes a viernes de 11 a 14 y de 16 a 20 y los sábados de 11 a 14.
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The materiality, the social landscape, the superposition of the bodies in resistance, the visual languages and the word build a cartography of resonances, signs and drives of a country’s memory.
📍Primera Línea. Fernando Prats.
For those of you who have not been able to visit us during please remember that we are open from Tuesday to Friday 11am-2pm and 4pm-8pm and on Saturdays 11am-2pm. We will be delighted to welcome you. 
Jan 01 1970 GMT00:33
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Núria Güell, Una película de Dios, 2018-2019.
“...we find a set of videos by Núria Güell related to the project A film of God (2018-2019), in which she worked with a group of minors survivors of sexual exploitation and with a family of former pimps in Mexico. During the process, Güell and the girls developed an audio guide that accompanied an exhibition of religious works. In the videos presented, the girls and the former pimps interpret and comment on the scenes in the paintings based on their experiences of abuse and mistreatment. In this work, Güell is interested in confronting Christian education and morality against the traumatic experience of sexual abuse, while challenging the concept of family propagated by Catholic instruction. We also find a critique against the role traditionally assumed by art history and institutions in the construction of hegemonic stories based on a patriarchal ideology of discrimination and stereotypical visions of women. However, the work also demonstrates confidence in the possibility of reformulating these great narratives from artistic practices, and from the museum itself, by incorporating dissident voices and non-hegemonic stories.” Alexandra Laudo @heroinas_de_la_cultura, curator of She, the eye, the finger, the hand
*If you wish to see this film, send us an email at info@adngaleria.com and we will send you the link.
Image from our current group show She, the eye, the finger, the hand. Featuring Núria Güell, María María Acha- Kutscher and Margaret Harrison, running until November.
Photography: @roberto_ruiz_photography
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3D 🌐
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Ja podeu gaudir de la visita virtual a l’exposició AD AETERNUM de @gorkagarciaherrera_art
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@artlandapp
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🔝Link in bio
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José Luis Aguiló “Pintura B-20.05” (2020) 46 x 38 cm, óleo sobre lino – José Luis Aguiló en la galería delante de algunos de sus últimos trabajos.
Durante el confinamiento nuestros artistas han seguido activos.
En la exposición actual mostramos algunas de las obras que José Luis Aguiló ha realizado en la soledad de su estudio durante estos meses.
José Luis Aguiló “Pintura B-20.05” (2020) 46 x 38 cm, oil on canvas – José Luis Aguiló in our gallery alongside some of his latest Works.
During the confinement our artists have remained active.
In our current show we feature some of the latest works by José Luis Aguiló has done in the solitude of his studio during those months.
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Pedro Friedeberg. Silla Mariposa.
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̃omexicano design ̃o 
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If there is still someone who has not visited Anna Dot's exhibition during this beautiful @barcelona_gallery_weekend, it continues until the end of October! 😉 😍
📸Photos taken by Cecilia Diaz Betz during Anna Dot's performance
@anna__dot @barcelona_gallery_weekend
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“Diario de luz” de @pablo_armesto. Las obras del artista asturiano, nacido en Suiza, combinan materiales nobles, como la madera, con otras piezas de corte más tecnológico. La combinación de fibra óptica y LED aportan mágicos hilos de luz sobre fondos monocromos que suelen oscilar entre el blanco, el negro y el gris.
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👉🏾 What kind of threat to critical thinking becomes apparent when applying censorship to works of art?
The "Red Lines. Censorship in 's collection" @tatxobenet , curated by @celiadeldiego and opens this Saturday 26 Sep @lapaneralleida with the collaboration of @museudelleida & @censored_collection
As part of this you'll find the following works (amongst many others) :
📸 1-3 > @daniel.g.andujar, "Picasso Comunista", (2012). Installation views. This installation is made of 125 documents of secret reports declassified by the FBI which demonstrate that, with a view to confirming his Communist affiliation, Picasso was followed and his activities monitored while he lived in France.
📸 4-5 > @oliver.ressler , "This is what democracy looks like!” (2002). Film stills. Video, color, sound 38 min. This film on Austria's first counter-globalization demonstration got censored by the public television channel ORF in 2002. After the film has already been programmed by the TV program "Kunststücke", the program director took it off the program schedule a few days prior to the broadcast date. The censorship can be seen in the context of Austria's first coalition between the conservative party ÖVP and the far right-wing FPÖ.
📸 6-7 > , "Deletrix" (2006-2013). Details of "". This series is based on photographic documentation of . In the images obtained by the artist, the original writing is superimposed with the gesture of the censor, whose virulence sometimes refers to the plasticity of artists like Pollock or Tàpies.
☝🏾Did you know that is the subject of several dialogues in The Republic, the major work of Greek philosopher Plato ?
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: Villa del Arte Galleries is glad to offer you the possibility to join us for a wine tasting experience at our contemporary art gallery located in the heart of the Gothic Quarter. Our in-house sommelier, Ramon Guix, will guide you through a selection of Cavas from Catalunya while you enjoy the current exhibition on display in this privileged setting.
Location: Villa del Arte Galleries, Calle de la Palla 10, Barcelona.
Duration: Approximately 45 minutes.
Do not hesitate in sending us a message for more information! 📥
Jan 01 1970 GMT00:33
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: Villa del Arte Galleries is glad to offer you the possibility to join us for a wine tasting experience at our contemporary art gallery located in the heart of the Gothic Quarter. Our in-house sommelier, Ramon Guix, will guide you through a selection of Cavas from Catalunya while you enjoy the current exhibition on display in this privileged setting.
Location: Villa del Arte Galleries, Calle de la Palla 10, Barcelona.
Duration: Approximately 45 minutes.
Do not hesitate in sending us a message for more information! 📥
Jan 01 1970 GMT00:33
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Images of our current exhibition with artworks by our artist.
Visit us at Carrer Séneca 9/11.
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Images of our current exhibition with artworks by Bertrand Fournier.
Visit us at Carrer Séneca 9/11.
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Images of our current exhibition with artworks by Struan Teague and Hugo Alonso.
Visit us at Carrer Séneca 9/11.
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En abril cumplimos 15 años y hay que celebrarlo!
El viernes día 2 de octubre inauguramos exposición con 40 artistas de todo el mundo que nos han acompañado todo este tiempo, artistas que ya son parte de mi vida.
Os esperamos el día 2 de 5,30h a 21h con todas las medidas de seguridad y mucha ilusión!!
